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Dreamscapes

13/03/2013

page039 page041 page042 page043 page044Are you wondering what this is? It’s a short sequence from the illustrative component of my novel. The Fall of Light reads as a conventional novel but between each chapter there are illustrations of the hero Rudy’s dream life. It works as a story in its own right – albeit a surreal, fairy tale story.

Some people hate dreams. I remember hearing Kim Hill railing against them, and Michael Chabon describes them as the sea monkeys of consciousness. He makes me feel quite embarrassed about my creative decisions. But then again, I’m not telling you Rudy’s dreams. Please don’t yawn – I’m showing you pictures. And because I’m an author, I’ve organised it into a coherent narrative. There’s a consistent visual metaphor – that of the pomegranate seed – and there’s a story arc. Besides, I like dreams. For years after I returned from New York City, I’d dream I was back there. Of course it was a different of NYC – a distorted, gothic kind with huge cathedrals and palaces that didn’t exist. I’d always be taking the train out of the city, into the country side. Now I don’t dream of NYC much any more, but instead of a shadow Auckland. I bike around this Auckland, up and down impossibly steep hills and along the motorway.

Speaking of biking, I had my very first modeling assignment this weekend at the age of 39. Here I am on my bike at Bespoke, wearing a cute outfit from Dalston. My hair has been teased into a Joan from Madmen style by a fa’afine makeup artist. I sat there fantasising about being the kind of person who had a hair and makeup person come to her house on regular occasions.

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Too busy

04/03/2013

popeyeoliveoil001Lately I’ve been impossibly busy. I really don’t like being this busy – there’s no time for mooching around, creatively noodling, or hanging out with the kids without feeling stressed. I am worried that my mental cam belt might snap. Actually I’m worried that my car’s cam belt might snap too, but I’m too busy to organise to get it fixed.

But it’s been a creative busy. The panels above are for my latest Metro comic that’s due – I wanted to show you my silly joke about Madeleine (or more precisely my joke about nuns and olive oil).

In an old house in Paris that was covered with vines,
lived twelve little girls in two straight lines
They left the house, at half past nine…
The smallest one was Madeline.

Last week I also had the exhibition opening at St Paul St Gallery in Auckland — here’s a picture of somebody (I think it’s my friend Sheridan) reading my comic on the wall:

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If you’re in Auckland you should check this out – it’s on until the 15th of April and there’s some wonderful German comics in the exhibit alongside the fine selection of New Zealand comics. There’s even a 3D comic sculpture.

My big task for this week is finishing off the 65 illustrations that are going to run between the chapters of my novel. I already did them last year but then I decided that I didn’t like them so now I’m doing them again. Of course I am perpetually dissatisfied with everything I do so I will probably want to redo them again once I’ve finished but the novel is going to be sent off to print in May so I will have to stop eventually!

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Anyway, wish me luck! I am hoping to complete my work and then have a break and go back to doing some personal comics because I actually have time to do them! Although maybe I’ll be too busy getting my cam belt replaced and my hair cut and my children’s nails clipped and all those other things that I have been putting off.

Toilet humour

25/02/2013

The latest Metro is out and I’ve got a toilet comic in it. It had to happen sometime, right?

ladieslores1The funny thing is that straight after this was published I was waiting for a toilet at the Wedding Present gig and the woman in front of me started complaining, ‘C’mon, hurry up, what are they doing in there?’ I wanted to tell her about my comic, because there I illustrate the possibilities. It’s art imitating life imitating art. You should buy it so you can see what happens.

Or else you could wait 6 months and I’ll probably post it here because I’m too busy editing the proofs of my novel to write new comics (and I have so many things to write comics about! Oh, it’s so frustrating having to concentrate!) Here’s one from September or somewhere around then. Click on it and you’ll find a bigger version:

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Colouring comics

22/02/2013

Some of you might recognise this comic from my apples blog – but now I’ve coloured it! I’m experimenting with a different file type as well because it makes cleaner images but it also takes longer to load. Sorry!

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Searching for the book cover again

19/02/2013

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Last year I posted about designing the cover for my forthcoming book, ‘The Fall of Light’. I’m at it again because those were only interim covers, and now I have to do the real thing. In some ways I find designing book covers an agonising process. I’m never happy with what I’ve done. Sometimes – rarely – I feel sure about a cover. I have the idea in my head and it comes out on the paper. But mostly I feel a niggling sense of doubt, like what I do is never going to be good enough. To assuage that doubt I keep drawing, hoping that the next one will be the good one, that the last one was just a door I had to go through.

I had a fairy story I loved as a child, in my Ruth Manning Sanders book. It was called ‘Long, Broad and Sharpsight’. A young prince is given a key to a tower by the king and told that he can chose whichever bride he sees. He goes up the cobwebby stairs and there are 11 stained-glass windows, and in each window is a princess. He is astonished by their beauty and cannot choose between them. They hold out their hands, laughing, imploring him to choose them. Then he sees a white curtain and he lifts it up. Behind it is a princess who is beautiful but terribly sad. He decides that he must have her. He runs downstairs to tell the king. The king says ‘Oh, why did you have to choose her? She is in the power of a wicked wizard’. But he is sure that she is the one and goes on an epic quest to free her, helped by a man that can stretch to an incredible height, another that can see around the world and another that can swallow a whole ocean.

I’m not sure exactly what this has to do with my covers, because none of them are particularly beautiful. But maybe it has something to do with the artistic pursuit. You can’t just settle on something pretty – it has to move you. It doesn’t come easily – you have to swallow whole oceans to find it. It’s not obvious – it requires some struggle or quest to find it. Then again maybe the king is right – you should just pick the easy options. You shouldn’t torture yourself. And here’s another question – what happened to the princess after she was rescued from the wicked wizard? Did she maintain her beautiful melancholy? Or did it vanish and she became ordinary in her prettiness like the rest of the princesses? If she stayed sad did she drive the prince crazy with all her weeping? Did he have to send the herbalist out to gather extra supplies of St John’s Wart while he went off hunting to get away from her?

One of the things designing this cover has in common with the theme of my book is possibilities. My hero, Rudy, is an architect who is troubled by all the buildings he lost, all the designs he loved that were rejected by clients. He didn’t have a blog. Instead he cast all his favourite lost designs in glass. But maybe it’s good to lose things. I discarded thousands of words from my novel and I hope it’s better for it. We will decide on a cover – not just me, but a whole group of people. And once that cover is chosen, that’s what the book will be. All those other possibilities will be forgotten.

(oh, and if you’re wondering about the provenance of the images, most of them are mine but some of them I cribbed off the internet.)

Comics exhibition – Nga Pakiwaituhi

15/02/2013

I just dropped off the biggest comic I’ve ever drawn at St Paul St Gallery for an exhibition. It’s on a piece of A2 paper. Normally I draw on A4 so I can scan it easily. But galleries are big spaces so I thought I’d better upsize:

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It’s a little story about how I used to get up to mischief with my friend Drew in Wellington. I coloured it with watercolour. The exhibition should be exciting – there are lots of great NZ cartoonists included, as well as a room full of German comics. I think there will even be a NZCC stand selling comics. I’ll try and get some of mine printed off to sell too. If you live in Auckland you should come along to the opening on the 28th of February – there will be wine and snacks.

Nga Pakiwaituhi poster

Flies dropped in milk

11/02/2013

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I just came back from a Katherine Mansfield conference where I showed people my fledgling sketches for the Katherine Mansfield graphic novel I’m writing. Of course it was too early and I broke the cardinal rule of not talking about your work before it’s done for fear of jinxing it. But maybe that doesn’t count for graphic novels, just like there are certain superstitions that only apply to theatre. Also the entire idea of blogs and social media is that you drop little hints about the great things you’re working on in order to give people a taste of things… but maybe the first taste is the best and by the time you get to the meal, well, you’re just not hungry any more. Oh, the anxiety!

I had the most fun beginning to read Katherine Mansfield’s letters and illustrating little bits out of those, which is where these illustrations come from.

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My favourite illustration was the one below, mainly because it seemed like something Edward Gorey might draw. You might have to click on it to read the text – it goes up much bigger.

km032I can see that I’m going to have a lot of fun trying to render Mansfield’s subconscious, and I’m also going to enjoy getting her into conversations and altercations (cat fights! Broken strings of green beads!) But right now I’d better get back to the novel I’m meant to be finishing, The Fall of Light!

The South Islanders

30/01/2013

A while back, when I first posted about my little books, I got commissions to do books for people of their own list of favourite people. I just finished this one for Pauline, and it’s in the post down to Mosgiel now. It’s appropriate that she chose a whole lot of South Islanders for me to draw. I began to formulate a theory that perhaps you have to live in the South Island for a while to become one of New Zealand’s great artists.

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I never really got into James K Baxter’s poetry – a shameful admission, I know. In general I find poetry hard to engage with and I have to make myself read it. It has to be full of concrete detail, preferably a bit of narrative, or else I lose focus. I do read poetry by people I know or have met and I usually love it and tell myself that I should try reading more, by people that I don’t know. I started off my writing career as a poet but I had to give it up because I knew that I would always prefer to read a novel, a short story or a comic. But sometimes I feel like comics and poetry have quite a lot in common, with their conciseness and attention to form and rhythm.

I should try Baxter again because I do have a personal connection – when my mother was a student in the late sixties at Massey University, she used to live in Ihaka Street in Palmerston North. Father Jim Kebbell would give Mass down the road at McManus House, the former Franciscan friary, and Baxter would turn up, all long hair and bare feet, talking during the sermon, walking about when you were meant to sit in the pews. He would get to drink the wine at communion in a time when Catholics weren’t given the wine. My mother and her friends were scandalised by this dirty, vagabond presence. But Father Jim would welcome him to stay after mass and they would talk and drink. Once my mother’s friends hung around too and they got drunk on Father Kebbell’s gin.

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Colin McCahon features in my novel, as a figure that Greg, an artist, was once obsessed with. Greg now creates art in a West Auckland artist’s residence, perhaps something like McCahon House in Titirangi. I haven’t visited but I want to. Last year I read a really great book about McCahon by Martin Edmond and it suggested that McCahon kept revisiting religious themes not because he was devout but because he was haunted by the notion that God might not exist. He was also an alcoholic who couldn’t work without getting drunk.

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Philip Clairmont was another tortured artist – he ended up killing himself when he was 34. Martin Edmond has written a biography on him too – I should read it. I’m not entirely sure about this, but I think that the printmaker Nigel Brown might have been his student. Brown was definitely influenced by Clairmont. I did a summer art course with Nigel Brown when I was 18 and it was truly wonderful. I made giant woodblock prints of naked women crouching by rock pools looking at crabs. I felt fully adult and I was incensed that the older students, ones who were probably the age I am now, suggested that I was still a child. I was halfway through an English degree and I felt like it wasn’t enough. A burnt-out graphic designer making beautiful jazz-inspired prints suggested that maybe I’d like to be graphic designer too. I stored that suggestion away and applied for design school a few years later. Funnily enough, my first fancy design job was at his ex-company.

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I’ve written about Rita Angus before, and in fact one of the first comics I posted on this blog featured her. I really love her art. I think that some contemporary comic artists share an aesthetic with her.

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Pauline also wanted Keri Hulme in her book. I read The Bone People the same year as I did the Nigel Brown printmaking course. It was one of those intoxicating, on-drugs reading experiences. I just fell into the story completely, feeling slightly delirious as I read, traveling to the tip of the North Island and leaping off with her character. It’s rare that I have reading experiences like that. When I was living in New York I’d often see The Bone People in bookstores and feel proud that I came from the same country as her.

There were more people in the book – all excellent choices. Tom Waits and Leonard Cohen, Janet Frame and Frida Kahlo. But my 9 year old is singing exceptionally annoying songs in my ear because it’s still school holidays. I’ll write some more later – or better still, I’ll draw a comic.

Icons

21/01/2013

Last weekend was my  friend Drew’s birthday and he asked me to make him another one of my icons, this time Quentin Crisp.

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This is to go with the Oscar Wilde icon that I made him a few years ago. He tells me my style has changed – and he’s right, the face is a bit more delicate, less shadowy. Quentin is very pale and lilac-y. Perhaps I should do it again.

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Drew wanted one because I’d already made a pair for my friend Helen, Derek Jarmin and Joe Strummer:

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Helen wanted hers because she had traveled to Greece and she’d seen the Nick Cave icon I’d made for my friends Steve and Nat’s wedding:

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I am conscious that I don’t have any female icons, only male. Maybe I should make some for myself! I am also conscious that I haven’t been posting comics for a while. For some reason these school holidays have been all-consuming. I am also hard at work at the images for my novel. But I hope to make some more soon – I miss drawing comics.

Over-sharing on the radio

12/01/2013
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A few weeks ago I went into Radio New Zealand and recorded a True Story about when my mother was the Family Planning Sex Education Officer. She had a case full of props, including speculums, contraceptives and explicit diagrams. Part of her job was going to schools, the other part was going to the prison to show the men how to put condoms on. Being a good catholic, she also moonlighted as a natural family planning instructor. I’m not sure how she reconciled the two. Anyway, you can here the full story, which culminates in me losing my virginity (what was I thinking?!) here. 

I have been too scared to listen to it myself, but I think they’ve edited it down a bit – I wonder if they got rid of all the rude bits!