Dreamscapes
Are you wondering what this is? It’s a short sequence from the illustrative component of my novel. The Fall of Light reads as a conventional novel but between each chapter there are illustrations of the hero Rudy’s dream life. It works as a story in its own right – albeit a surreal, fairy tale story.
Some people hate dreams. I remember hearing Kim Hill railing against them, and Michael Chabon describes them as the sea monkeys of consciousness. He makes me feel quite embarrassed about my creative decisions. But then again, I’m not telling you Rudy’s dreams. Please don’t yawn – I’m showing you pictures. And because I’m an author, I’ve organised it into a coherent narrative. There’s a consistent visual metaphor – that of the pomegranate seed – and there’s a story arc. Besides, I like dreams. For years after I returned from New York City, I’d dream I was back there. Of course it was a different of NYC – a distorted, gothic kind with huge cathedrals and palaces that didn’t exist. I’d always be taking the train out of the city, into the country side. Now I don’t dream of NYC much any more, but instead of a shadow Auckland. I bike around this Auckland, up and down impossibly steep hills and along the motorway.
Speaking of biking, I had my very first modeling assignment this weekend at the age of 39. Here I am on my bike at Bespoke, wearing a cute outfit from Dalston. My hair has been teased into a Joan from Madmen style by a fa’afine makeup artist. I sat there fantasising about being the kind of person who had a hair and makeup person come to her house on regular occasions.
Too busy
Lately I’ve been impossibly busy. I really don’t like being this busy – there’s no time for mooching around, creatively noodling, or hanging out with the kids without feeling stressed. I am worried that my mental cam belt might snap. Actually I’m worried that my car’s cam belt might snap too, but I’m too busy to organise to get it fixed.
But it’s been a creative busy. The panels above are for my latest Metro comic that’s due – I wanted to show you my silly joke about Madeleine (or more precisely my joke about nuns and olive oil).
In an old house in Paris that was covered with vines,
lived twelve little girls in two straight lines
They left the house, at half past nine…
The smallest one was Madeline.
Last week I also had the exhibition opening at St Paul St Gallery in Auckland — here’s a picture of somebody (I think it’s my friend Sheridan) reading my comic on the wall:
If you’re in Auckland you should check this out – it’s on until the 15th of April and there’s some wonderful German comics in the exhibit alongside the fine selection of New Zealand comics. There’s even a 3D comic sculpture.
My big task for this week is finishing off the 65 illustrations that are going to run between the chapters of my novel. I already did them last year but then I decided that I didn’t like them so now I’m doing them again. Of course I am perpetually dissatisfied with everything I do so I will probably want to redo them again once I’ve finished but the novel is going to be sent off to print in May so I will have to stop eventually!
Anyway, wish me luck! I am hoping to complete my work and then have a break and go back to doing some personal comics because I actually have time to do them! Although maybe I’ll be too busy getting my cam belt replaced and my hair cut and my children’s nails clipped and all those other things that I have been putting off.
Toilet humour
The latest Metro is out and I’ve got a toilet comic in it. It had to happen sometime, right?
The funny thing is that straight after this was published I was waiting for a toilet at the Wedding Present gig and the woman in front of me started complaining, ‘C’mon, hurry up, what are they doing in there?’ I wanted to tell her about my comic, because there I illustrate the possibilities. It’s art imitating life imitating art. You should buy it so you can see what happens.
Or else you could wait 6 months and I’ll probably post it here because I’m too busy editing the proofs of my novel to write new comics (and I have so many things to write comics about! Oh, it’s so frustrating having to concentrate!) Here’s one from September or somewhere around then. Click on it and you’ll find a bigger version:
Colouring comics
Some of you might recognise this comic from my apples blog – but now I’ve coloured it! I’m experimenting with a different file type as well because it makes cleaner images but it also takes longer to load. Sorry!
Comics exhibition – Nga Pakiwaituhi
I just dropped off the biggest comic I’ve ever drawn at St Paul St Gallery for an exhibition. It’s on a piece of A2 paper. Normally I draw on A4 so I can scan it easily. But galleries are big spaces so I thought I’d better upsize:
It’s a little story about how I used to get up to mischief with my friend Drew in Wellington. I coloured it with watercolour. The exhibition should be exciting – there are lots of great NZ cartoonists included, as well as a room full of German comics. I think there will even be a NZCC stand selling comics. I’ll try and get some of mine printed off to sell too. If you live in Auckland you should come along to the opening on the 28th of February – there will be wine and snacks.
Flies dropped in milk
I just came back from a Katherine Mansfield conference where I showed people my fledgling sketches for the Katherine Mansfield graphic novel I’m writing. Of course it was too early and I broke the cardinal rule of not talking about your work before it’s done for fear of jinxing it. But maybe that doesn’t count for graphic novels, just like there are certain superstitions that only apply to theatre. Also the entire idea of blogs and social media is that you drop little hints about the great things you’re working on in order to give people a taste of things… but maybe the first taste is the best and by the time you get to the meal, well, you’re just not hungry any more. Oh, the anxiety!
I had the most fun beginning to read Katherine Mansfield’s letters and illustrating little bits out of those, which is where these illustrations come from.
My favourite illustration was the one below, mainly because it seemed like something Edward Gorey might draw. You might have to click on it to read the text – it goes up much bigger.
I can see that I’m going to have a lot of fun trying to render Mansfield’s subconscious, and I’m also going to enjoy getting her into conversations and altercations (cat fights! Broken strings of green beads!) But right now I’d better get back to the novel I’m meant to be finishing, The Fall of Light!
The South Islanders
A while back, when I first posted about my little books, I got commissions to do books for people of their own list of favourite people. I just finished this one for Pauline, and it’s in the post down to Mosgiel now. It’s appropriate that she chose a whole lot of South Islanders for me to draw. I began to formulate a theory that perhaps you have to live in the South Island for a while to become one of New Zealand’s great artists.
I never really got into James K Baxter’s poetry – a shameful admission, I know. In general I find poetry hard to engage with and I have to make myself read it. It has to be full of concrete detail, preferably a bit of narrative, or else I lose focus. I do read poetry by people I know or have met and I usually love it and tell myself that I should try reading more, by people that I don’t know. I started off my writing career as a poet but I had to give it up because I knew that I would always prefer to read a novel, a short story or a comic. But sometimes I feel like comics and poetry have quite a lot in common, with their conciseness and attention to form and rhythm.
I should try Baxter again because I do have a personal connection – when my mother was a student in the late sixties at Massey University, she used to live in Ihaka Street in Palmerston North. Father Jim Kebbell would give Mass down the road at McManus House, the former Franciscan friary, and Baxter would turn up, all long hair and bare feet, talking during the sermon, walking about when you were meant to sit in the pews. He would get to drink the wine at communion in a time when Catholics weren’t given the wine. My mother and her friends were scandalised by this dirty, vagabond presence. But Father Jim would welcome him to stay after mass and they would talk and drink. Once my mother’s friends hung around too and they got drunk on Father Kebbell’s gin.
Colin McCahon features in my novel, as a figure that Greg, an artist, was once obsessed with. Greg now creates art in a West Auckland artist’s residence, perhaps something like McCahon House in Titirangi. I haven’t visited but I want to. Last year I read a really great book about McCahon by Martin Edmond and it suggested that McCahon kept revisiting religious themes not because he was devout but because he was haunted by the notion that God might not exist. He was also an alcoholic who couldn’t work without getting drunk.
Philip Clairmont was another tortured artist – he ended up killing himself when he was 34. Martin Edmond has written a biography on him too – I should read it. I’m not entirely sure about this, but I think that the printmaker Nigel Brown might have been his student. Brown was definitely influenced by Clairmont. I did a summer art course with Nigel Brown when I was 18 and it was truly wonderful. I made giant woodblock prints of naked women crouching by rock pools looking at crabs. I felt fully adult and I was incensed that the older students, ones who were probably the age I am now, suggested that I was still a child. I was halfway through an English degree and I felt like it wasn’t enough. A burnt-out graphic designer making beautiful jazz-inspired prints suggested that maybe I’d like to be graphic designer too. I stored that suggestion away and applied for design school a few years later. Funnily enough, my first fancy design job was at his ex-company.
I’ve written about Rita Angus before, and in fact one of the first comics I posted on this blog featured her. I really love her art. I think that some contemporary comic artists share an aesthetic with her.
Pauline also wanted Keri Hulme in her book. I read The Bone People the same year as I did the Nigel Brown printmaking course. It was one of those intoxicating, on-drugs reading experiences. I just fell into the story completely, feeling slightly delirious as I read, traveling to the tip of the North Island and leaping off with her character. It’s rare that I have reading experiences like that. When I was living in New York I’d often see The Bone People in bookstores and feel proud that I came from the same country as her.
There were more people in the book – all excellent choices. Tom Waits and Leonard Cohen, Janet Frame and Frida Kahlo. But my 9 year old is singing exceptionally annoying songs in my ear because it’s still school holidays. I’ll write some more later – or better still, I’ll draw a comic.
Over-sharing on the radio
A few weeks ago I went into Radio New Zealand and recorded a True Story about when my mother was the Family Planning Sex Education Officer. She had a case full of props, including speculums, contraceptives and explicit diagrams. Part of her job was going to schools, the other part was going to the prison to show the men how to put condoms on. Being a good catholic, she also moonlighted as a natural family planning instructor. I’m not sure how she reconciled the two. Anyway, you can here the full story, which culminates in me losing my virginity (what was I thinking?!) here.
I have been too scared to listen to it myself, but I think they’ve edited it down a bit – I wonder if they got rid of all the rude bits!


































